Against the tides of war

Some of the best dancing 

happens at home in the kitchen, 

in the living room. I don’t often

dance, but sometimes a body 

needs to shake off shame

of the world. Right now, I dance 

as if there were a deep ocean 

at the meeting of my thighs, 

one there to keep invasion 

at bay, a noble prevention 

of blown-out buildings, 

of bowed heads. All 

of the horrors that go 

with war. We have been 

watching them unfold, 

shocked, even though 

we knew they would come, 

knew they would be there 

in this new war. 

*

Long ago, the goddess looked 

straight ahead like a deer watching,

like a wolf, like a lion, a bear. 

She cast spells of love and justice 

with each spoken word. 

The goddesses today 

have been made into statues 

with lowered gazes 

as if the air were already dust.

*

I dance in the kitchen 

with lights on, music eases 

out of speakers. I want to dance 

hard enough to sweat, for rain 

to fall, for peace to be 

a spell we can still cast.

—Liza Wolff-Francis

National Poetry Month, blog entry; heart/garden, poem

In an effort to return to the root of my passion in poetry, I’ll be revisiting an old poem to enter into National Poetry Month; I’ve never been one to discipline myself into an agreement to do 30 poems for 30 days and so it seemed more appropriate instead to flip back in my notebook, of all the poems written from Saturday’s Sirens poetry salons, and find something that resonated with me still. I think the power in poetry is not only in the power or relief you find in writing the first draft, but also in how it sits with you, weeks or months or years later. Sometimes this is like visiting with an old friend for coffee and not skipping a beat, other times this is like meeting a stranger and somehow feeling as though you’ve known them for decades. This poem, particularly, was written on my birthday, July 17th, last year, and brought me back not only to the joyous summertime salon, but of warmer days and sunshine, while Northern Ontario spring still sits trapped beneath snow. So here’s to finding a safe place carved into the ice caverns of my heart, as I await warmer days again.

heart/garden

there is a room carved out of my heart,
a dark cave with scarlet-and-purpled walls;
there is an echo of a beat-beat
that vibrates with safe words:
passwords to my innermost soul
that whisper gateways to a place where there is

no anxiety
no lingering sadness
that drips from cavern walls
and forms stalagmites of regression.

in one of these rooms, there is a low swinging light:
a teetering stalactite,
which wards away the dark thoughts.
they can’t invade, they have no place here
in this room of scarlet
and burgundy and gold.

flowers grow in the arteries of this heart-room,
tree trunks make the ventricles;
and hollowed out inside, there is a safe place;
a secret garden of my heart-mind,
where moss grows over the places
where enemies once stayed.

here, even bitter memories
that carry the tang of copper,
that are as biting as a paper-cut,
become sweet,
eventually.
here, everything is in bloom again:

like spring,
where I lay on the soft moss
of my fallen worries
and put myself to sleep amongst the rubble
and wake to renew, repair,
resurrection.

there is a room carved out of my heart,
where everything is a garden.

© Maxine L. Peseke, July 2021/April 2022



Spring Garden

g.marselle

3.26.2022
I root and dig for bone, shell,
and radishes.
I find potatoes and worms.
The peppermint is sprouting.
Its green, creeping stolons
are stark against desert dirt.
My dogs dig.
They find little treasures.
A bird’s beak,
a steak bone.
It’s like a witches brew
instead of a spring garden.
Still, I dig
allowing the cool earth
to slip like blood
between my fingers.
The spring air is unseasonably warm
and hope travels
as songbirds whistle,
as ants wonder in and around the mint.

Disintegration

Katrina Kaye

I am no longer
tied to
the tangible.
I spread
wings. I fly.
Dripping
flesh from bone,
leaving cells
skipping
into the wind.
I wasn’t built
to be statue.
You knew it
the first time
you grabbed
my hand and
it dissipated
like sand.

 

Waiting for Tragedy

(For the people of Ukraine)

Today, we stare at the architecture of war,
how core and studs crumble and quake
after an explosion. It seems we have lost,

the ways we look at our humanity,
forgotten how to connect with wildflowers
if we don’t own them. I peek, as I can,

from my screen into the blown-out
buildings to try to uncover something deeper
about this attack, to understand

the appeal of killing another human,
of taking of their cups and saucers,
their quilts, their children, their shoes,

their photos. We can chalk it all up
to power, but it seems like we’re making it
okay again to lose lives, to invade

a country, a people, to steal a place.
The humanness that spills
from the mounting bloody rubble

of war is stuck between tanks and guns.
The couches, baby toys, wooden tables
where families sat to share a meal,

a daily routine, toasts, and memories
left behind to the bombing of humanity,
the grotesque secret of us revealed.

The unsacred sacrilege of murder
that war calls for, sketch of bravado
or terror until collapse;

the tallest bombed buildings of homes
speak first with their height,
then with a stumble in the wind.

-Liza Wolff-Francis

Sunrise

gina marselle

“The moment is constant. The moment seizes us.”

from the final scene in the film, Boyhood

moonrise at the end of the day

it’s such a miracle to see the bright

sphere through

naked tree branches

just this mornin’

sunrise swimming through

creamy clouds

we all witness this wonder

but how many actually marvel

knowing it is this moments

reminder of life

your breath

should not he taken for granted

carpe diem, better—

carpe omnia

or better, less cliché—

allow the moment to seize you.

I have learned

Katrina Kaye

We spent the first part
of Sunday digging a splinter
out of his foot on the back stoop.
A cloudy, windy morning. A painful,
yet bearable procedure.

The splinter callused over 
so we broke the skin to dig.
I began the excavation,
but after so many flinches
and moans, I let him do it
himself.

I have learned it is easier
to inflict pain on yourself
than to let someone you love
do it to you.

The splinter was a stubborn
thing and by the time it was
out there was a hole of pink
flesh and clear pus left in
its wake. I did what I do best
and cleaned the open wound.
Alcohol, antiseptic, and bandage.

He said a bandage wouldn’t hold.
It will help, I say, I have learned
it will help.

Light

Selfie 1.28.2022

That Brilliant Blue Sky, image copyright to Gina Marselle

New Mexico Sunset, image copyright to Gina Marselle

The Last Ride, image copyright to Gina Marselle

My mom and I on our horses during a visit home from college.

My son and our dog, Strider, from 2016, image copyright to Gina Marselle

A slide in Las Vegas, New Mexico, image copyright to Gina Marselle

When I was in college in the mid 90’s, digital cameras were a novelty, maybe a bigwig newspaper had one. I had a SLR Canon A-1 35 mm Film Camera.
My dad bought it for me at a used camera shop in St. Louis, MO.

I felt like a
professional photographer.

I took a photography class
and became  obsessed.

The dark room
became my haven.
Light became my love.
Shadows and tones my drama.

Without light,
there is no photo.

35 mm film only has 24 or 36 shots per roll, and there is no room for manipulation
nor apps to fix mistakes.

In college, I worked to improve each shot, followed Ansel Adams The Zone System to determine the grey scale in all that I saw.

Fast forward to 2022, and iPhones make everyone a professional—-Instagram allows us to broadcast life with #hashtags and viral reels…

Now about that light—

I love that moment in the day where the light is so perfect. I don’t have to do anything more than aim, click. There’s my shot, a moment in time to share life for all to see.

A marvel.

Timeless.

A necessary light
to overcome despair.

A sunset to offer hope.

A selfie to offer self love,

a photo of a child to offer joy. A portrait of our favorite pet. The image of our love, a parent to remember lessons learned—-

O, to live in a time when photographs offer a distraction from anything.

And light is everything.

Gina Marselle
1.28.2022

Finishing Well

Gina Marselle

Gina Marselle | January 21, 2022

“My face carries all of my memories. Why would I erase them?”
by fashion designer, Diane Von Furstenberg

Mother Earth rotates endlessly
like Time has hours to spare.
The sun’s rays effortlessly shine
as seasons beautify for change.

One year turns to many
as our children grow. Echoes of laughter
race down the hall. Dust settles and ivory paint
fades amber, yet our home is still warm.

Autumn gathers brilliant leaves, as tail-wagging dogs crash through
scattering mountain-high piles into disarray.
Once, we made leaf angels alongside a path lined with ancient cottonwoods.
Bright yellow leaves rained down on us in slow motion–one leaf at a time.

Aging isn’t about growing old, it’s about finishing well–
with joy and little regret.
Embrace all that has
shaped who we are.

Listen. Time beats like heartache and love.
It’s sweet smelling like apple pie.
Then one day, lines etch your face, and you’re finally an enlightened woman
sitting atop the Sandia Mountains sharing aphorisms about growing wise.

Reading of Finishing Well by Gina Marselle

Avocado

“Every object and being in the universe is a jar overflowing with wisdom and beauty, a drop of the Tigris that cannot be contained by any skin. Every jarful spills and makes the earth more shining, as though covered in satin… Make peace with the universe. Take joy in it. It will turn to gold. Resurrection will be now. Every moment, a new beauty.”

~ Rumi

The Hass Avocados at the grocer
are sad looking fellows.
But, in January,
during a pandemic,
lucky there’s even a selection.

The avocados are little soldiers,
leaning against each other in the quiet bin
that someone haphazardly dumped them into.
Overflowing with this versatile fruit.

Throughout the day
people have eyed, touched, tossed the wonderful loot—
searching for that one, impossibly dark green, ripe ‘cado
that’s ready to devour. Biting into its soft, succulent meat
is a tongue’s treasure.

Finding that one
that’s creamiest
for salads, wraps, dips.

It’s a goldmine. $1.79 each. Joy.
Not too high a price to taste divine.
The nutrients are much: potassium, vitamins E, B6, C,
magnesium, folate, and it’s what I love the most—
healthy fats.

My turn to search. Looking through the pile—
This one has sagging skin, that one full of dents and bruises. It’s a no.
O, there is one, a little beauty. It has a little give when I touch it,
It’s soft near the stem, the stem pops off with a slight touch.
I imagine the vibrant, green flesh beneath. The sound seed
hidden inside, protected.

I love to root the seed
and watch it grow.
I make my purchase and head home.
Ready for the creamy, nutty taste of this buttery avocado.

Gina Marselle © January 15, 2022

listen to my poem on my SoundCloud: https://soundcloud.com/gina-marselle/avocado

follow me on instagram @gigirebel